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Stockholm International Composer Festival 2018: Thea Musgrave

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Stockholm International Composer Festival 2018: Thea Musgrave

Thomas Le Brocq

The Stockholm International Composer Festival is one of the classical world’s most high-profile opportunities to discover the full breadth of a composer’s music.    

This November in the Swedish capital’s premier concert hall, the Royal Stockholm Philharmonic Orchestra (RSPO) and Norrköping Symphony Orchestra will celebrate the work of Thea Musgrave. The festival, which has honoured classical music’s most important composers over its twenty-two-year history, runs from November 22-25 and will provide a comprehensive overview of Musgrave’s long career, in four orchestral and chamber concerts. It joins a long list of important celebrations marking the British-American composer's ninetieth birthday. 

In the opening concert, on November 22, Nicholas Daniel joins the Royal Stockholm Philharmonic Orchestra give the world premiere performance of Musgrave’s Night Windows for Oboe and 15 StringsNight Windows is inspired by Edward Hopper’s striking painting of the same name. The five scenes in Musgrave’s work, however, are all imaginary, highly charged emotional moments derived from Hopper’s work more broadly, subtitled ‘Loneliness’, ‘Anger’, ‘Nostalgia’, ‘Despair’ and ‘Frenzy’. The American conductor Karen Kamensek will conduct the premiere in a programme of Musgrave’s most powerful orchestral works inspired by art: Turbulent LandscapesThe Seasonsand Loch Ness. The RSPO will repeat this concert two days later, with one programming change: Daniel performs Musgrave’s oboe concerto, Helios, in place of Night Windows.

The Finnish-Ukrainian conductor Dalia Stasevska takes up the baton on the second evening of the festival (November 23) with a programme exhibiting the full range of Musgrave’s music, performed by the Norrköping Symphony Orchestra. Beginning with the Concerto for Orchestra (1967), the second half of the concert then opens with her epic orchestral song cycle Songs for a Winter’s Evening (1995), and concludes with one of Musgrave’s earliest mature works, Scottish Dance Suite (1959). Violist Ellen Nisbeth will join the orchestra to perform Lady Caroline Lamb, Elegy for Viola and Orchestra, an iconic piece for the instrument by Musgrave’s close friend and artistic confidant Richard Rodney Bennett.

Soloists from the RSPO and Nicholas Daniel close the festival on November 25 with a concert of Musgrave’s chamber works, many exhibiting her period of experimentation with electronics in the 70s and 80s. The programme will include: A Song for ChristmasMusic for Horn and PianoFrom One to AnotherNiobe, From Spring to SpringThrenodySnow and Dawn.

More information & tickets

Stockholm International Composer Festival
Konserthuset’s huge annual Composer Festival was founded in 1986 and quickly became an essential element of both Swedish and international music scenes. The fundamental idea – to spend an intensive period featuring modern, established composers – has proven to be successful both artistically and among audiences. Since its establishment is has hosted some of the most important composers from around the world including: Witold Lutoslawski (1987), Alfred Schnittke (1989), Sir Michael Tippett (1997), Sofia Gubajdulina (2000), Lars Ekström/Bent Sørensen/Rolf Wallin (2001), Kaija Saariaho and Magnus Lindberg (2002), Henri Dutilleux (2003), Esa-Pekka Salonen (2004), Hans Werner Henze (2006), Thomas Adès (2009), Steve Reich (2010/11), and Per Nørgård (2012).

Full history of the festival